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DTSTART;TZID=Europe/Berlin:20261220T193000
DTEND;TZID=Europe/Berlin:20261220T213000
DTSTAMP:20260922T225640
CREATED:20241130T100555Z
LAST-MODIFIED:20260831T075307Z
UID:2158-1797795000-1797802200@www.pietromassa.com
SUMMARY:MUSIKVEREIN VIENNARecital 1
DESCRIPTION:CHOPIN-GALA | CHRISTMAS CONCERT —Step into the refined atmosphere of the Gläserner Saal at the Vienna Musikverein and experience the timeless beauty of Frédéric Chopin’s piano music in an inspiring year-end celebration. \nThis recital explores the extraordinary range of Frédéric Chopin’s musical imagination\, from the dramatic architecture of the Four Ballades to the intimacy\, elegance and virtuosity of his later and shorter piano works. \nThe Four Ballades form the monumental first half of the programme. In these works\, Chopin created an entirely new model of instrumental narrative\, combining poetic freedom with highly sophisticated formal structures. Each Ballade develops its own dramatic trajectory\, while together they reveal the remarkable breadth and evolution of Chopin’s compositional language. \nThe second half opens a contrasting world. The delicate sonorities of the Berceuse\, the refinement of the Waltzes and the miniature character of the Écossaises lead to the brilliant Andante spianato et Grande Polonaise\, in which lyrical introspection and virtuoso splendour are brought together. \nWithin the ZeitenKlänge Music Festival\, the programme presents Chopin as a composer who transformed inherited genres into highly individual forms of expression\, creating a musical language whose sense of time\, colour and poetic imagination continues to resonate far beyond the nineteenth century. \nPROGRAMME\nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \n— Interval — \nFrédéric Chopin\nBerceuse in D-flat major\, Op. 57\nThree Waltzes\, Op. 64\nThree Écossaises\, Op. 72\, Nos. 3–5\nAndante spianato et Grande Polonaise in E-flat major\, Op. 22 \nPietro Massa\, piano \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/pietro-massa-in-wien-2025/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2025/06/Musikverein-Wien.jpg
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DTSTART;TZID=Europe/Berlin:20261227T200000
DTEND;TZID=Europe/Berlin:20261227T220000
DTSTAMP:20260922T225640
CREATED:20241130T102128Z
LAST-MODIFIED:20260831T080558Z
UID:2171-1798401600-1798408800@www.pietromassa.com
SUMMARY:KONZERTHAUS BERLINRecital 2
DESCRIPTION:CHOPIN GALA | YEAR-END CONCERT—Celebrate the close of the year with an evening of musical poetry in the Small Hall of the Konzerthaus Berlin\, nestled on the historic Gendarmenmarkt. \nThis recital explores the extraordinary range of Frédéric Chopin’s musical imagination\, from the dramatic architecture of the Four Ballades to the intimacy\, elegance and virtuosity of his later and shorter piano works. \nThe Four Ballades form the monumental first half of the programme. In these works\, Chopin created an entirely new model of instrumental narrative\, combining poetic freedom with highly sophisticated formal structures. Each Ballade develops its own dramatic trajectory\, while together they reveal the remarkable breadth and evolution of Chopin’s compositional language. \nThe second half opens a contrasting world. The delicate sonorities of the Berceuse\, the refinement of the Waltzes and the miniature character of the Écossaises lead to the brilliant Andante spianato et Grande Polonaise\, in which lyrical introspection and virtuoso splendour are brought together. \nWithin the ZeitenKlänge Music Festival\, the programme presents Chopin as a composer who transformed inherited genres into highly individual forms of expression\, creating a musical language whose sense of time\, colour and poetic imagination continues to resonate far beyond the nineteenth century. \nPROGRAMME\nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \n— Interval — \nFrédéric Chopin\nBerceuse in D-flat major\, Op. 57\nThree Waltzes\, Op. 64\nThree Écossaises\, Op. 72\, Nos. 3–5\nAndante spianato et Grande Polonaise in E-flat major\, Op. 22 \nPietro Massa\, piano \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/chopin-galayear-end-concert-2025/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2024/11/Konzerthaus-Berlin-2.jpeg
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DTSTART;TZID=Europe/Berlin:20261229T200000
DTEND;TZID=Europe/Berlin:20261229T220000
DTSTAMP:20260922T225640
CREATED:20260831T084413Z
LAST-MODIFIED:20260831T085253Z
UID:4428-1798574400-1798581600@www.pietromassa.com
SUMMARY:MEISTERSINGERHALLERecital 3
DESCRIPTION:CHOPIN GALA | YEAR-END CONCERT—Celebrate the close of the year with an evening of musical poetry in the Small Hall of the Meistersingerhalle Nürnberg. \nThis recital explores the extraordinary range of Frédéric Chopin’s musical imagination\, from the dramatic architecture of the Four Ballades to the intimacy\, elegance and virtuosity of his later and shorter piano works. \nThe Four Ballades form the monumental first half of the programme. In these works\, Chopin created an entirely new model of instrumental narrative\, combining poetic freedom with highly sophisticated formal structures. Each Ballade develops its own dramatic trajectory\, while together they reveal the remarkable breadth and evolution of Chopin’s compositional language. \nThe second half opens a contrasting world. The delicate sonorities of the Berceuse\, the refinement of the Waltzes and the miniature character of the Écossaises lead to the brilliant Andante spianato et Grande Polonaise\, in which lyrical introspection and virtuoso splendour are brought together. \nWithin the ZeitenKlänge Music Festival\, the programme presents Chopin as a composer who transformed inherited genres into highly individual forms of expression\, creating a musical language whose sense of time\, colour and poetic imagination continues to resonate far beyond the nineteenth century. \nPROGRAMME\nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \n— Interval — \nFrédéric Chopin\nBerceuse in D-flat major\, Op. 57\nThree Waltzes\, Op. 64\nThree Écossaises\, Op. 72\, Nos. 3–5\nAndante spianato et Grande Polonaise in E-flat major\, Op. 22 \nPietro Massa\, piano \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/meistersingerhalle-nurnbergrecital-3/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2026/08/Meistersingerhalle-Kleiner-Saal.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261230T200000
DTEND;TZID=Europe/Berlin:20261230T220000
DTSTAMP:20260922T225640
CREATED:20241125T155937Z
LAST-MODIFIED:20260831T084555Z
UID:1227-1798660800-1798668000@www.pietromassa.com
SUMMARY:GASTEIG MUNICHRecital 4
DESCRIPTION:CHOPIN-GALA | YEAR-END CONCERT—Immerse yourself in history and experience the timeless beauty of Frédéric Chopin’s piano music at the Year-End Concert in the elegant setting of the Gasteig in Munich. \nThis recital explores the extraordinary range of Frédéric Chopin’s musical imagination\, from the dramatic architecture of the Four Ballades to the intimacy\, elegance and virtuosity of his later and shorter piano works. \nThe Four Ballades form the monumental first half of the programme. In these works\, Chopin created an entirely new model of instrumental narrative\, combining poetic freedom with highly sophisticated formal structures. Each Ballade develops its own dramatic trajectory\, while together they reveal the remarkable breadth and evolution of Chopin’s compositional language. \nThe second half opens a contrasting world. The delicate sonorities of the Berceuse\, the refinement of the Waltzes and the miniature character of the Écossaises lead to the brilliant Andante spianato et Grande Polonaise\, in which lyrical introspection and virtuoso splendour are brought together. \nWithin the ZeitenKlänge Music Festival\, the programme presents Chopin as a composer who transformed inherited genres into highly individual forms of expression\, creating a musical language whose sense of time\, colour and poetic imagination continues to resonate far beyond the nineteenth century. \nPROGRAMME\nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \n— Interval — \nFrédéric Chopin\nBerceuse in D-flat major\, Op. 57\nThree Waltzes\, Op. 64\nThree Écossaises\, Op. 72\, Nos. 3–5\nAndante spianato et Grande Polonaise in E-flat major\, Op. 22 \nPietro Massa\, piano \n\nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/chopin-galakonzert-zum-jahresende/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2025/05/GasteigHP8-1.jpg
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