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X-WR-CALNAME:Pianist Pietro Massa
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X-WR-CALDESC:Events for Pianist Pietro Massa
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DTSTART;TZID=Europe/Berlin:20261220T193000
DTEND;TZID=Europe/Berlin:20261220T213000
DTSTAMP:20260914T061249
CREATED:20241130T100555Z
LAST-MODIFIED:20260831T075307Z
UID:2158-1797795000-1797802200@www.pietromassa.com
SUMMARY:MUSIKVEREIN VIENNARecital 1
DESCRIPTION:CHOPIN-GALA | CHRISTMAS CONCERT —Step into the refined atmosphere of the Gläserner Saal at the Vienna Musikverein and experience the timeless beauty of Frédéric Chopin’s piano music in an inspiring year-end celebration. \nThis recital explores the extraordinary range of Frédéric Chopin’s musical imagination\, from the dramatic architecture of the Four Ballades to the intimacy\, elegance and virtuosity of his later and shorter piano works. \nThe Four Ballades form the monumental first half of the programme. In these works\, Chopin created an entirely new model of instrumental narrative\, combining poetic freedom with highly sophisticated formal structures. Each Ballade develops its own dramatic trajectory\, while together they reveal the remarkable breadth and evolution of Chopin’s compositional language. \nThe second half opens a contrasting world. The delicate sonorities of the Berceuse\, the refinement of the Waltzes and the miniature character of the Écossaises lead to the brilliant Andante spianato et Grande Polonaise\, in which lyrical introspection and virtuoso splendour are brought together. \nWithin the ZeitenKlänge Music Festival\, the programme presents Chopin as a composer who transformed inherited genres into highly individual forms of expression\, creating a musical language whose sense of time\, colour and poetic imagination continues to resonate far beyond the nineteenth century. \nPROGRAMME\nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \n— Interval — \nFrédéric Chopin\nBerceuse in D-flat major\, Op. 57\nThree Waltzes\, Op. 64\nThree Écossaises\, Op. 72\, Nos. 3–5\nAndante spianato et Grande Polonaise in E-flat major\, Op. 22 \nPietro Massa\, piano \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/pietro-massa-in-wien-2025/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2025/06/Musikverein-Wien.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261227T200000
DTEND;TZID=Europe/Berlin:20261227T220000
DTSTAMP:20260914T061249
CREATED:20241130T102128Z
LAST-MODIFIED:20260831T080558Z
UID:2171-1798401600-1798408800@www.pietromassa.com
SUMMARY:KONZERTHAUS BERLINRecital 2
DESCRIPTION:CHOPIN GALA | YEAR-END CONCERT—Celebrate the close of the year with an evening of musical poetry in the Small Hall of the Konzerthaus Berlin\, nestled on the historic Gendarmenmarkt. \nThis recital explores the extraordinary range of Frédéric Chopin’s musical imagination\, from the dramatic architecture of the Four Ballades to the intimacy\, elegance and virtuosity of his later and shorter piano works. \nThe Four Ballades form the monumental first half of the programme. In these works\, Chopin created an entirely new model of instrumental narrative\, combining poetic freedom with highly sophisticated formal structures. Each Ballade develops its own dramatic trajectory\, while together they reveal the remarkable breadth and evolution of Chopin’s compositional language. \nThe second half opens a contrasting world. The delicate sonorities of the Berceuse\, the refinement of the Waltzes and the miniature character of the Écossaises lead to the brilliant Andante spianato et Grande Polonaise\, in which lyrical introspection and virtuoso splendour are brought together. \nWithin the ZeitenKlänge Music Festival\, the programme presents Chopin as a composer who transformed inherited genres into highly individual forms of expression\, creating a musical language whose sense of time\, colour and poetic imagination continues to resonate far beyond the nineteenth century. \nPROGRAMME\nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \n— Interval — \nFrédéric Chopin\nBerceuse in D-flat major\, Op. 57\nThree Waltzes\, Op. 64\nThree Écossaises\, Op. 72\, Nos. 3–5\nAndante spianato et Grande Polonaise in E-flat major\, Op. 22 \nPietro Massa\, piano \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/chopin-galayear-end-concert-2025/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2024/11/Konzerthaus-Berlin-2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261229T200000
DTEND;TZID=Europe/Berlin:20261229T220000
DTSTAMP:20260914T061249
CREATED:20260831T084413Z
LAST-MODIFIED:20260831T085253Z
UID:4428-1798574400-1798581600@www.pietromassa.com
SUMMARY:MEISTERSINGERHALLERecital 3
DESCRIPTION:CHOPIN GALA | YEAR-END CONCERT—Celebrate the close of the year with an evening of musical poetry in the Small Hall of the Meistersingerhalle Nürnberg. \nThis recital explores the extraordinary range of Frédéric Chopin’s musical imagination\, from the dramatic architecture of the Four Ballades to the intimacy\, elegance and virtuosity of his later and shorter piano works. \nThe Four Ballades form the monumental first half of the programme. In these works\, Chopin created an entirely new model of instrumental narrative\, combining poetic freedom with highly sophisticated formal structures. Each Ballade develops its own dramatic trajectory\, while together they reveal the remarkable breadth and evolution of Chopin’s compositional language. \nThe second half opens a contrasting world. The delicate sonorities of the Berceuse\, the refinement of the Waltzes and the miniature character of the Écossaises lead to the brilliant Andante spianato et Grande Polonaise\, in which lyrical introspection and virtuoso splendour are brought together. \nWithin the ZeitenKlänge Music Festival\, the programme presents Chopin as a composer who transformed inherited genres into highly individual forms of expression\, creating a musical language whose sense of time\, colour and poetic imagination continues to resonate far beyond the nineteenth century. \nPROGRAMME\nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \n— Interval — \nFrédéric Chopin\nBerceuse in D-flat major\, Op. 57\nThree Waltzes\, Op. 64\nThree Écossaises\, Op. 72\, Nos. 3–5\nAndante spianato et Grande Polonaise in E-flat major\, Op. 22 \nPietro Massa\, piano \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/meistersingerhalle-nurnbergrecital-3/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2026/08/Meistersingerhalle-Kleiner-Saal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261230T200000
DTEND;TZID=Europe/Berlin:20261230T220000
DTSTAMP:20260914T061249
CREATED:20241125T155937Z
LAST-MODIFIED:20260831T084555Z
UID:1227-1798660800-1798668000@www.pietromassa.com
SUMMARY:GASTEIG MUNICHRecital 4
DESCRIPTION:CHOPIN-GALA | YEAR-END CONCERT—Immerse yourself in history and experience the timeless beauty of Frédéric Chopin’s piano music at the Year-End Concert in the elegant setting of the Gasteig in Munich. \nThis recital explores the extraordinary range of Frédéric Chopin’s musical imagination\, from the dramatic architecture of the Four Ballades to the intimacy\, elegance and virtuosity of his later and shorter piano works. \nThe Four Ballades form the monumental first half of the programme. In these works\, Chopin created an entirely new model of instrumental narrative\, combining poetic freedom with highly sophisticated formal structures. Each Ballade develops its own dramatic trajectory\, while together they reveal the remarkable breadth and evolution of Chopin’s compositional language. \nThe second half opens a contrasting world. The delicate sonorities of the Berceuse\, the refinement of the Waltzes and the miniature character of the Écossaises lead to the brilliant Andante spianato et Grande Polonaise\, in which lyrical introspection and virtuoso splendour are brought together. \nWithin the ZeitenKlänge Music Festival\, the programme presents Chopin as a composer who transformed inherited genres into highly individual forms of expression\, creating a musical language whose sense of time\, colour and poetic imagination continues to resonate far beyond the nineteenth century. \nPROGRAMME\nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \n— Interval — \nFrédéric Chopin\nBerceuse in D-flat major\, Op. 57\nThree Waltzes\, Op. 64\nThree Écossaises\, Op. 72\, Nos. 3–5\nAndante spianato et Grande Polonaise in E-flat major\, Op. 22 \nPietro Massa\, piano \n\nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/chopin-galakonzert-zum-jahresende/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2025/05/GasteigHP8-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20270217T193000
DTEND;TZID=Europe/Berlin:20270217T213000
DTSTAMP:20260914T061249
CREATED:20260831T083043Z
LAST-MODIFIED:20260831T085053Z
UID:4421-1802892600-1802899800@www.pietromassa.com
SUMMARY:ELBPHILHARMONIERecital 5
DESCRIPTION:CHOPIN PLUS 2027 \nThis Chopin Plus recital brings together two defining voices of nineteenth-century piano music. \nThis Chopin Plus recital brings together two of the defining figures of nineteenth-century piano music: Frédéric Chopin and Franz Liszt. Almost exact contemporaries\, they transformed the expressive and technical possibilities of the piano in profoundly different ways. \nChopin’s late works reveal an increasingly complex musical language in which lyricism\, harmonic experimentation and formal freedom become inseparable. From the introspective world of the Two Nocturnes Op. 62 and the visionary Polonaise-Fantaisie Op. 61 to the brilliance of the Fourth Scherzo\, the programme traces different dimensions of his mature style. \nLiszt expands the perspective from poetic reflection to landscape\, literary imagination\, virtuosity and operatic transformation. From the evocative sound worlds of Les jeux d’eaux à la Villa d’Este and Vallée d’Obermann to the Hungarian Rhapsody and the Rigoletto paraphrase\, the piano becomes an instrument of extraordinary colour and orchestral breadth. \nWithin the ZeitenKlänge Music Festival\, Chopin and Liszt are heard as parallel yet contrasting responses to their time: two composers who redefined the piano and opened new paths towards the musical language of the future. \nPROGRAMME\nFrédéric Chopin\nTwo Nocturnes\, Op. 62\nPolonaise-Fantaisie in A-flat major\, Op. 61\nImpromptu No. 1 in A-flat major\, Op. 29\nScherzo No. 4 in E major\, Op. 54 \n\nInterval \n\nFranz Liszt\nLes jeux d’eaux à la Villa d’Este\nVallée d’Obermann\nHungarian Rhapsody No. 6 in D-flat major\nConcert Paraphrase on Verdi’s Rigoletto\n\nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/elbphilharmonie-2/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2026/08/Elbphilharmonie-Hamburg-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20270307T180000
DTEND;TZID=Europe/Berlin:20270307T200000
DTSTAMP:20260914T061249
CREATED:20250604T154353Z
LAST-MODIFIED:20260831T072738Z
UID:4323-1804442400-1804449600@www.pietromassa.com
SUMMARY:GEWANDHAUS LEIPZIGRecital 6
DESCRIPTION:CHOPIN PLUS 2027 \nThis Chopin Plus recital brings together two defining voices of nineteenth-century piano music. \nBeethoven’s late Sonatas Op. 109 and Op. 110 transform the classical sonata tradition through variation\, counterpoint and an increasingly concentrated musical language. \nChopin’s Four Ballades\, performed as a complete cycle\, open a different perspective on musical form and narrative. Written between 1831 and 1842\, they trace the evolution of Chopin’s compositional language from dramatic immediacy to extraordinary structural complexity. \nWithin the ZeitenKlänge Music Festival\, the programme explores music across time: Beethoven and Chopin are heard not as isolated historical figures\, but as part of a continuing process of transformation\, in which tradition becomes the starting point for new forms of expression. \nPROGRAMME\nLudwig van Beethoven\nPiano Sonata No. 30 in E major\, Op. 109 \nLudwig van Beethoven\nPiano Sonata No. 31 in A-flat major\, Op. 110 \nInterval \nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/chopin-galayear-end-concert-2025-copy/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2025/06/Gewandhaus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20270402T193000
DTEND;TZID=Europe/Berlin:20270402T213000
DTSTAMP:20260914T061249
CREATED:20250929T162040Z
LAST-MODIFIED:20260831T072206Z
UID:4370-1806694200-1806701400@www.pietromassa.com
SUMMARY:STADTCASINO BASELRecital 7
DESCRIPTION:CHOPIN PLUS 2027 \nThis Chopin Plus recital brings together two defining voices of nineteenth-century piano music. \nBeethoven’s late Sonatas Op. 109 and Op. 110 transform the classical sonata tradition through variation\, counterpoint and an increasingly concentrated musical language. \nChopin’s Four Ballades\, performed as a complete cycle\, open a different perspective on musical form and narrative. Written between 1831 and 1842\, they trace the evolution of Chopin’s compositional language from dramatic immediacy to extraordinary structural complexity. \nWithin the ZeitenKlänge Music Festival\, the programme explores music across time: Beethoven and Chopin are heard not as isolated historical figures\, but as part of a continuing process of transformation\, in which tradition becomes the starting point for new forms of expression. \nPROGRAMME\nLudwig van Beethoven\nPiano Sonata No. 30 in E major\, Op. 109 \nLudwig van Beethoven\nPiano Sonata No. 31 in A-flat major\, Op. 110 \nInterval \nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/stadtcasino-baselrecital-5/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2025/09/Hans-Huber-Saal-Website-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20270502T110000
DTEND;TZID=Europe/Berlin:20270502T130000
DTSTAMP:20260914T061249
CREATED:20241005T183155Z
LAST-MODIFIED:20260831T071744Z
UID:345-1809255600-1809262800@www.pietromassa.com
SUMMARY:PHILHARMONIE BERLINRecital 8
DESCRIPTION:CHOPIN PLUS 2027 \nThis Chopin Plus recital brings together two defining voices of nineteenth-century piano music. \nBeethoven’s late Sonatas Op. 109 and Op. 110 transform the classical sonata tradition through variation\, counterpoint and an increasingly concentrated musical language. \nChopin’s Four Ballades\, performed as a complete cycle\, open a different perspective on musical form and narrative. Written between 1831 and 1842\, they trace the evolution of Chopin’s compositional language from dramatic immediacy to extraordinary structural complexity. \nWithin the ZeitenKlänge Music Festival\, the programme explores music across time: Beethoven and Chopin are heard not as isolated historical figures\, but as part of a continuing process of transformation\, in which tradition becomes the starting point for new forms of expression. \nPROGRAMME\nLudwig van Beethoven\nPiano Sonata No. 30 in E major\, Op. 109 \nLudwig van Beethoven\nPiano Sonata No. 31 in A-flat major\, Op. 110 \nInterval \nFrédéric Chopin\nBallade No. 1 in G minor\, Op. 23\nBallade No. 2 in F major\, Op. 38\nBallade No. 3 in A-flat major\, Op. 47\nBallade No. 4 in F minor\, Op. 52 \nHere to the Ticketsale ->
URL:https://www.pietromassa.com/event/https-www-berliner-philharmoniker-de-konzerte-kalender-57402-performance-1/
ATTACH;FMTTYPE=image/jpeg:https://www.pietromassa.com/wp-content/uploads/2024/10/Berlin-Kammermusiksaal-e1728153368803.jpg
END:VEVENT
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